5 Ways to Actually Make Your Horror Story Spine-chilling

It can be quite difficult to write something truly horrifying. Even in most horror movies, with the added benefit of being able to visibly show their chilling tales, they suffer from cheap jump scares in order to actually scare anyone. So as a horror writer, what are you to do? In this article, we will discuss the basis of fear and what elements you can incorporate into your story to not only make it grimmer but a better story in general. 

Creative Characters

Too often in horror are we told the story for the sake of the monster, killer, or threat. The story is functionally written around the antagonist, not the protagonist and thus we are “gifted” with bland, hollow characters that many readers, by the end of the story, wish would just meet their end. 

This way of writing is not only a detriment to that character and the story, but also to the villain. If we, as the reader, are going to follow a character through their journey, filled with trials and tribulations, then we must connect with them. We need to hope that they make it through whatever situation they find themselves in, not just watch them go through it.

So now you need to decide what makes a good character, and how do I get people to care? This is not a teen drama book, with boring self insert characters, create someone who has interests of their own, someone who has flaws and their own personal morals. 

Create a character who also isn’t just a stereotype or a troupe. If the reader is able to pinpoint a character’s interests and political persuasion just based on what they are wearing or after they speak for the first time. Then it is obvious that though did not go into the making of this person, and they are simply there as another casualty. 

While readers may not always agree with the character in the story, it will help to humanize them, making their possible gruesome end far more morbid. Which is great for horror!

Being Alone   

Humans are biologically social creatures, and many people fear isolation. Many have even gone insane from types of solitary confinement, so introducing this with the added horror of whatever the story is about, creates another layer of fear and dread within the viewer. 

This will also force you as the writer to not incorporate throw-away characters, just to show how scary the threat can be. If you wish to show off whatever your menace will be, do so by having it actually brutally harm your character, or by giving the internal dialogue of how terrified the character is, and by what specifically.

This trope also works great for unique and strange settings. If your threat is of the world or location itself, having your character tepidly explore the ominous environment alone, puts the reader on edge throughout the entire journey. This tactic is great for fluid world and character building.

Famous fiction is built off solitude, and a character’s survival or downfall of it. Often times characters are added, so that the main character can show off their own personality by speaking with them or more prominently, to add to the body count. In many of H.P. Lovecraft’s stories, his characters are reciting their inner thoughts or noting them in a personal diary. Showing that other characters are unnecessary to do so. This also plays into his ever-present anthology of madness and its slow progression throughout the narrative.  

Fate Worse than Death

Perhaps it is the dark Millennial/ Gen Z humor that has made death not as bleak or scary. Or perhaps it is due to the emergence of horror as a genre of its own, that makes a character’s death seem like just another Tuesday. Whatever the cause, death in horror is a given, and is harder to make it seem as dark a subject as it does within other genres. So what is a writer to do?

Sometimes in horror fiction, the writer will pose a twisted question of a given fate, such as: if you were to turn into one of the mindless walking dead, featured constantly within the genre. Does your character truly die? Are their minds trapped behind their now blistering grotesque form? Do humans truly have souls and if so, could they be made to suffer even worse than our living existence? 

This is the type of threat that keeps the genre fresh and interesting. By having your character try to escape damnation or corruption, the threat is no longer a sweet release but infinite pain. This theme is not just present within zombie fiction, much of what Cronenburg has created are horrid abominations that are far from just being mindless. Instead, they are altered physically and mentally, creating a bastardization of the person or being they were before. 

If you do choose to have death be the end-all of the story, then describe the injuries in detail. Gruesome injuries should be written as such and not glanced past. The actual death itself can also be tear-jerking and terrifying if you write death as it truly is, something prolonged, painful, and haunting. 

Style and Ambiance 

Your verbiage as a writer as well as how you describe things are some of the fundamentals when it comes to creative writing. Many will struggle to use a voice that is not their usual one, but if you are using a type of narration from your character’s perspective, you must learn how to alter your written words to compliment the mood. 

Whichever style of narration you end up choosing, you must remember that this book is about something. Try and match the colorful imagery with the era or location that you are writing about. For example, if your work is about Jack the Ripper, you would write in a more fanciful English tone, with descriptions of the damp streets, with a hazy fog that covers the cobblestone buildings. If you were to write in a dialect that is obviously not era-appropriate, it may take the reader out of the immersion.

Creating the book’s specific style will also help in developing the ambiance and overall tone you are setting. If you were to aim for a thriller, you won’t want to use melancholic language, because you want to keep the reader in suspense! 

Uniqueness

Ghosts, slashers, and zombies litter the genre, and while some may be successful, there are a hundred more that are just cookie-cutter copies of something someone else has already done. Even creating a new interesting monster isn’t enough, it simply gets clumped into the creature feature category. Many writers will simply put a new spin on one of these constant themes. This may work for some, but truly it is the skill of the writer that makes them successful not the small new detail or twist. 

To make something with a recognizable name, something that actually scares someone instead of just using a creative idea from someone in the 18th century, you have to look at the big picture. Is your Big Bad in danger of becoming just another trope? For example, Stephen King’s “It” was extremely popular, one reason was that his creature would be out in broad daylight, leaving the reader realizing the characters are never truly safe.

So does the horror in your writing do something the readers would not expect? Does its desire confound the mind? The reader should not be able to finish writing your story for you, you should always strive to progress the genre not copy it.

Like other genres you must think about the world and characters, and what helps shape what they are. Creating some monster that lives in Nevada is far less interesting than creating a creature that functions off the strange ecosystem of its own alien environment. This helps set the scene and makes the story more believable while still being fiction.

   Understanding these concepts and being able to implement them, are some of the foundations of not only horror but also proficient writing in general. While some may be vague concepts, it is up to the creative mind of the writer to flesh them out. These ways to make your story spine-chilling, often flow together, setting the tone for your narrative, and helping to set the scene and the characters. Pushing to develop the plot, and the ideas of the story moving forward.

Horror is the least developed major genre, yet it is the one with the most flexibility. You can incorporate it, into almost any other genre and still have it be a success. However, it can also be one of the hardest to get right, and not everyone will always be scared of the same thing. You must look deeper into humanity than its romance or its comedy, you have to understand human desire and their animalistic fear to actually affect the reader. To have the simple written words on a page, actually, send a shiver from the neck to the spine. That is successful horror.

How to Create a Believable Psychopath for Your Novel

Throughout fiction and non-fiction alike, a certain type of person has made a lasting impact on those who are introduced to them: psychopaths. Whether they be true-to-life killers such as Ted Bundy, or imagined ones like Hannibal Lecter, people always find themselves interested in the complex character archetype. So it would go without saying that creating such characters for your story would give it depth and intrigue. Especially for those creating horror or thrillers. However, the idea of creating such a character and successfully doing so are two separate things. 

Take the bombastic character of the Joker, in The Dark Knight movie played by Heath Ledger. His performance was widely acclaimed and is viewed as an amazing portrayal of the flashy style of a psychopath. On the other hand, the performance by Jared Leto playing the same character in Suicide Squad was widely criticized, not just for the acting, but for the writing of the character. So what was the defining difference between a beloved and a hated character under the same name?

In this article, we will be exploring the founding principles of what makes a realistic psychopath as well as how to create an interesting one. So that when you are writing in your own psycho, he will be a Ledger and not a Leto.

There are many ways to define a psychopath’s characteristics, but for the sake of time, we will be going over three founding principles of a psychopath. 

Lack of Empathy

Psychopathic characters always have a lack of feelings for others, which oftentimes gives them their air of menace. Being able to commit atrocities without feeling any remorse, the mass death of others, committing torture, or even the lack of drive to save someone who was close to them. These characters are not without their own feelings, however. Some will hold their own lives in much more esteem than others, and will often break when their own mortality comes into question. Other characters will desire the protection of their fixation over all else. Such as their “art,” which often is the macabre mutilation of their victims.  

Manipulative

Psychopaths frequently manipulate others, and due to their lack of morality, take no issue with this. This manipulation is often done to uphold their “mask” of being a normal person, persuade their victims, or simply for the pleasure of being better than someone. In their eyes, it is not their fault that others are so gullible or weak as to be manipulated, and some may think that their victims deserve this treatment as recompense for their naivete. 

Attention Seeking

While some psychopaths do have more emotional range than others, there does seem to be a pattern of attention-seeking among them. Some will find enrichment in leaving behind cryptic notes on their identity, making the hunt for a serial killer more exciting for the perpetrator. Others will make their killings an extravagant show. Or perhaps they find pleasure in the intimate experience of the killer and victim. This is all under the same idea that they wish to be seen, in one way or another.

Now that we have an idea of what determines a psychopathic character, it is up to the author to give life to this idea. Simply plopping in a psychopath with the stereotypical tropes, isn’t going to earn the eye of the reader. Like any character, you must flush out their character to devise their placement within the story. However, you must think differently when creating this style of character. To help formulate them, these questions can be used. What role does the psycho play in the story? What does their “mask” look like, compared to the real them? What is the character’s drive, such as needs, fixations, or goals?

Role

One might assume that this psychopath is the antagonist in the story. This is not always the case, even though it is easiest to place them there. You may also see into the distorted mind of the psychopath as the protagonist in some stories. Lastly, and my personal favorite: they will simply be in the story as a side character. 

The psychopathic character also does not even need to be a killer or even a bad person. You simply often find these traits attributed to a psychopath, due to their gravitation toward these actions. This character may find ease in taking a life and have a need to be seen; however, that does not dictate in which way. Oftentimes in actions or thrillers, the main character is a killer, but also deemed a hero. The hero finds it easy to kill, while also adorning the attention of others- how familiar. 

Making the psycho a grey character is another excellent path to choose, showing off the full versatility of the character. Perhaps they are on the villain’s side one moment, and on the protagonist’s the next? They simply have their own will, and find themselves to be of the most importance, so why pledge allegiance to anyone else?

Mask

It may be human nature to feel like you are putting on a show for others, and not showcasing your true personality. Psychopaths know that they are putting on this mask, and do it for their aforementioned traits, in order to manipulate and to garner attention. You must devise almost two separate characters for a psychopath. The personality they show the world, and the personality inside their minds. 

It is very possible that this character never actually shows their true self, even in private with another or even alone. Some will hold tight to their mask, only revealing their true selves inside the narrative of their mind or perhaps for only the author to know, but not acknowledge.

Devising these personalities is a key moment, especially for those whose psycho is the protagonist or antagonist. This dichotomy of the mask-vs-self almost sets the tone for the book in some cases. If this prominent character’s mask shines through and connects with the audience enough, the impact of revealing their true self will be that much more meaningful.

This mask also separates the concept of the characters from the passive ones, such as Hannibal, to that of the Joker. While Hannibal’s mask is that of a thoughtful caring man, the Joker almost literally wears one. The Joker we see is never the man who is actually behind the makeup. You can ascertain the thoughts of the character behind his portrayed personality via the words he says.   

Goal

The desires of this type of character may be hard to grasp and complex. Their minds work differently so their wants and desires may not function the same as our own. This can almost be a twisted biological desire to do things. Some people may get a random voice in their head to do some absurd thing, that is instantly quelled by logic and morals. Instead, however, there is no corrective thought after the instant strange urge to do something, possibly morally wrong.

That is simply the surface level though. Some, while still being a psychopath, have a bigger picture in mind. Perhaps they see the world as wrong, weird, or strange and wish to correct it. Or maybe the character has more human desires and simply just wishes to finally feel safe or happy and needs to find whatever that is for themselves. 

This is another shining moment for the author to create uniqueness for their psychopath and perhaps help develop the story in doing so. For example, if your psycho’s desire is to surround themselves with a horde of people that admire them, whose lives he can manipulate and play with at will, what does he need to do to achieve this? What mask helps him accomplish this? What happens when he achieves this and does this fulfill him if he succeeds? 

Lastly, let’s take a look at some psychopaths in media to draw inspiration from. Just remember to simply take inspiration and not copy outright. 

The Master- Doctor Who 

The Master is a character throughout Doctor Who, but let’s narrow the lens to his appearance in season 3 of modern Doctor Who. He is a lively and comedic character in his mask, but internally he is a sadistic man plagued by “the sound of war” which is often heard as a drum beat in his head. This is an excellent show of a psychopath, that also creates the character open enough to see all sides of him.

He lacks empathy almost to an inverse level, finding joy in the pain of others, so much so that it is nearly his goal to do so. His stated goal, however, is to control the universe, which can be deduced as his need to be seen by all. His role is obviously that of an antagonist, but he still shares a strange connection with The Doctor, giving more complexity to his character than just a villain. He is also seen manipulating others with not only his charmful personality – his mask- but in true Doctor Who fashion of subliminal mind control. 

The Governor- The Walking Dead

The Governor is the first true antagonist in the show, other than the hordes of zombies wandering around. He is seen by the people under him as a charismatic leader who knows how to get the job done, while those who go against him- or even those caught on his warpath- find a calloused and heartless killer who simply wishes to control everyone. If he does not get his way, he will sacrifice all his pawns just so that others suffer for defying him.

The Governer easily ticks all the boxes almost immediately upon encountering him in the show. His lack of empathy for killing those who are innocent and guilty alike without any remorse. His manipulation of an entire town who unknowingly follows him to kill others who are innocent, and that he disposes of at his own digression. Lastly, his need for attention, from the same denizens of his town that he needs to look up to him. Making him an obvious psychopath, but a prominent one. 

Daenerys Targaryen- Game of Thrones

Yes, everyone’s favorite mother of dragons is indeed a psychopath and a more discreet one at that. Her role was that of a protagonist throughout most of the show, while at the end immediately reversed. Since this is a more complex example I will go into more detail for this one.

Her lack of empathy can be confusing throughout the show, you see her care for those close to her while also throwing thousands of lives away simply because she was angry or wanted to get her way, even those who she portrayed as close to her. Her attachment to these people was not from human connection, but as beloved belongings. 

Her manipulation of these people seemingly fell into her lap throughout the show, perhaps it was her doing perhaps it was her luck, but most likely it was both. Near the end of the series, she had dragons, lords, and armies of several nations under her command. 

“Daenerys Stormborn of the House Targaryen, First of Her Name, the Unburnt, Queen of the Andals and the First Men, Khaleesi of the Great Grass Sea, Breaker of Chains, and Mother of Dragons” -if her attention seeking was not evident. 

Her role was that of a hopeful protagonist to go against the surmounting enemies throughout the series, and in fact, she does so. That is, until the end of the series, when she has lost too many of her “possessions” and has decided that she no longer wishes to keep holding onto her mask and does away with enemies and allies alike. 

Her mask was that of a caring queen who wishes to free slaves and save the world. Unfortunately, her actual purpose in doing many of her actions was to have control over more and more.

Her goal was obvious: to be the ruler of the seven kingdoms.

These characters are all prominent within highly famous media. Some are obvious examples, while others require more depth to perceive. Since this article was focused on the writing of these characters, you must show a purposeful amount of what you wish to reveal about your psychopath. To make a memorable meaningful character, one must delve into the mind of the psychopath. Just remember to find your way out when you’re done.

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